The Flea
- Anna Sokolova

- Dec 31, 2025
- 2 min read
Updated: Jan 6
New Theatre Sydney, January 2025 as a part of Mardi Gras

The review
"The Flea" by by James Fritz
It is by far my favorite show of the year. I've seen it twice, and I would watch it on repeat again.Maybe one day I try to write up my notes in a coherent text, but for now I just leave these crappy photos and a note about this work.Precision is the word for this work, in scenography, movements, intonations. Sleek geometrical setup in three colours, red black and white, a maze of surfaces, a clever play with dimensions, angle and sizes are a reference to the legacy of @patrickisinaus mentors and inspirations, to what I can judge.Each acting work was a gem.Makeup and costumes is a subject for a separate discussion. Clownage married to drama; extremely theatrical world, extravagant manner of acting telling a real tale; cold geometry made to work highlighting deep human feelings. A story about one particular scandal made a universal one of betrays and invisibility of a 'small person' destinies to be meat-grinded by a state system; a display of sensuality and hidden wishes of those who by social position not allowed not only demonstrate, but even to have them.
It all was the 'Flea'. Nearly a year later, still feel addicted.
Creative team
Director & Designer Patrick Kennedy @patrickkennedytheatremachine
Assistant Director Luke Visentin @luke_visentin
Lighting Designer Topaz Marlay-Cole
AssociateSet Designer Tom Bannerman
Stage Manager Hermione Bathurst
ASMs Lara Kyriazis, Harry PetersLX/SX Operator Nathaniel Pernecita
Cast
James Collins @jimcollns Henry Newlove and Arthur Somerset
Sofie Divall @sofwithanf Emily Swinscow and Queen Victoria
Samuel Ireland @samuelirelander Charlie Swinscow and Bertie, Prince of Wales
Jack Elliot Mitchell @jackemitchell as Hanks, Barwell and Lord Euston
Mark Salvestro @marksalvestro as Detective Inspector, Fred Abberline, UK Elder Statesman William Gladstone, and brothel owner Charles Hammond









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